Comments on: Art Concepts in Photography, Part 1: Texture http://www.singleservingphoto.com/2007/08/02/art-concepts-in-photography-part-1-texture/ Photography in Small Doses Sat, 05 Jul 2008 16:32:27 +0000 http://wordpress.org/?v=2.5 By: photographyVoter.com http://www.singleservingphoto.com/2007/08/02/art-concepts-in-photography-part-1-texture/#comment-912 photographyVoter.com Fri, 03 Aug 2007 05:20:37 +0000 http://www.singleservingphoto.com/2007/08/02/art-concepts-in-photography-part-1-texture/#comment-912 Art Concepts in Photography: Texture... In photography, texture can play a significant aesthetic role. With help from its best friend contrast, texture adds important tactile cues that can give the viewer an immediate experience of what they’re looking at.... Art Concepts in Photography: Texture…

In photography, texture can play a significant aesthetic role. With help from its best friend contrast, texture adds important tactile cues that can give the viewer an immediate experience of what they’re looking at….

]]> By: Ed Z http://www.singleservingphoto.com/2007/08/02/art-concepts-in-photography-part-1-texture/#comment-914 Ed Z Fri, 03 Aug 2007 13:17:10 +0000 http://www.singleservingphoto.com/2007/08/02/art-concepts-in-photography-part-1-texture/#comment-914 Great article! I am also a painter as well as photographer, and I do a lot of heavily textural painting work. It is really interesting to see the same ideas and aesthetic principles applied to photography. Great article! I am also a painter as well as photographer, and I do a lot of heavily textural painting work. It is really interesting to see the same ideas and aesthetic principles applied to photography.

]]> By: M.E.B. http://www.singleservingphoto.com/2007/08/02/art-concepts-in-photography-part-1-texture/#comment-917 M.E.B. Fri, 10 Aug 2007 18:08:32 +0000 http://www.singleservingphoto.com/2007/08/02/art-concepts-in-photography-part-1-texture/#comment-917 Aaron, Though my question has little to do with your most recent article, I find that the expertise you've shared since I began following your site to be compelling and hope that you can provide me an answer that will serve my needs. I have seen many digital photos over the years, some pretty dismal and some pretty spectacular. My question was born out of seeing, for the first time, an exhibition comprised of 150 works by Ansel Adams, which were nearly all "Silver Gelatin" prints. My question is (setting aside for the moment the composition, line, form and majestic beauty of many of the locations) can any digital print be made in such a way that a knowledgeable observer would not be able to distinguish it from a print made using the silver gelatin method? Aaron,

Though my question has little to do with your most recent article, I find that the expertise you’ve shared since I began following your site to be compelling and hope that you can provide me an answer that will serve my needs. I have seen many digital photos over the years, some pretty dismal and some pretty spectacular. My question was born out of seeing, for the first time, an exhibition comprised of 150 works by Ansel Adams, which were nearly all “Silver Gelatin” prints. My question is (setting aside for the moment the composition, line, form and majestic beauty of many of the locations) can any digital print be made in such a way that a knowledgeable observer would not be able to distinguish it from a print made using the silver gelatin method?

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